Manufactured practices in graduate and undergraduate programs

Manufactured practices in graduate and undergraduate programs. Very similar to a kind of probing or artificial penetration of sorts. It is invasive, emotionally traumatic and often times results in a deconstructing of the artist's identity. In the end, the result is an unconscious, collective self, absent of any investment or risk. A consistent reference of the external, social security, relativity, and motivated by potential recognition in the annals of art history.